| |
Welcome to our Fantasy Gifts
Imaginations are such an important
part of growing up. It is through a childs imagination
that they often express their fears and conquer
insecurities. This site is designed for children
and adults who love fantasy.
|
|
   |
Harry Potter Soundtrack
Music and soundtrack from Harry Potter videos.
|
|
|
|
Harry Potter & the Prisoner of Azkaban
If the commercial constraints of genre and chronic Hollywood sequelitis threaten to musically straitjacket even a legend like John Williams, the veteran playfully rebuffs such cynicism in his rich, mirthful score for this third chapter of the Harry Potter cycle. Whether inspired by a willful desire not to repeat himself, the continued reinvention of his jazz roots that brightened his scores for Spielberg's Catch Me If You Can and The Terminal, or the story's requirement for a handful of fresh themes, Williams informs his work here with an often dizzying range. The warm mysticism of "Hedwig's Theme" and classical farrago of "Aunt Marge's Waltz" can scarcely prepare one for the swinging, off-kilter "Knight Bus," a romp that suggests a head-on collision between the big-band bombast of1941 and the loopy, Cantina Band kitsch of Star Wars. From there Williams skips back a half-millennium or so for inspiration, conjuring the ancient children's chorus "Double Trouble" (its text adapted from no less than MacBeth), a medieval theme that becomes one of the score's inspirational foundations. Those with a taste for the composer's patent orchestral thunder won't be disappointed either, as the Herrmann-influenced percussion/brass bombast of "Buckbeat's Flight" and "The Whomping Willow.." attest with rousing zeal. It's arguably Williams' best Potter score to date, a soundtrack whose inspirations sprawl across six centuries -- and as many disparate musical styles. Enhanced CD features include a photo gallery and exclusive computer wallpaper and screensaver files. -- Jerry McCulley
|
|
|
Harry Potter and the Sorcerer's Stone - Original Motion Picture Soundtrack
You needn't see the film of Harry Potter and the Sorcerer's Stone to appreciate the wonder, magic, and fearful chills of J.K. Rowling's phenomenal bestseller in John Williams's outstanding score. Williams typically avoids the source material for the films he scores, but he reportedly derived great pleasure and inspiration from Rowling's first Harry Potter adventure, and created a perfect motif (fully expressed in "Hedwig's Theme") to dominate his score. It's first heard as a dreamy celesta waltz and embellished through myriad incarnations and moods, often with a sinister edge befitting the darker tones of Chris Columbus's direction. Evident are fantastical allusions to Saint-Saëns and Tchaikovsky (among others), and Williams's epic track is "Quidditch Match," a breathtaking frenzy to accompany the film's dazzling highlight. And while Williams occasionally flirts with self-plagiarism (with inevitable variants of his Hook and Star Wars themes), this is nevertheless a richly regal score that brilliantly evokes the mystery and magic of Harry Potter's world. --Jeff Shannon
|
|
|
Harry Potter and the Chamber of Secrets
Another multi-gazillion-dollar Hollywood franchise, another chapter in the remarkable career of John Williams. Though he's already been responsible for scoring some of the most overwhelmingly successful film series of all time, in tackling the second installment of the Harry Potter saga, Williams once again proves why his name is held in such high regard in scoring circles. While he utilizes the themes he established in Sorcerer's Stone, Williams's restless inventiveness still manages to cast this chapter in a fresh new musical light. Since many of the cues here are action or atmospheric-oriented, and thus lacking in need for strong melodic hooks, the veteran composer's mastery of orchestral color--and no small amount of stylistic reinvention--infuses the proceedings with a sense of wholeness and a surprising maturity that's a key element in conjuring up the film's crucial suspension of disbelief. Harry Potter may be but a fictional wizard, but John Williams proves yet again he's the real thing. --Jerry McCulley
|
|
|
|
Fantasy Stories
Fantasy Books are a literary form
related to mythology and folklore.
Fantasy literature is typically
set in non-existent realms and features
supernatural beings. Fantasy is
known as a type of fiction that
bends or transcends the rules of
the known world, allowing such conventions
as time travel, talking animals,
and super-human creatures. 
|
|
|
|
|
|
